A Critical Lens on Canadian Arts.

About Galen Simmons


2025

Here For Now Theatre Review: Jessica B. Hill is a one-woman whirlwind as she explores universal chaos in Pandora

Stratford Festival review: The goblins are back in full form, dressed in togas and waving pool noodles, for Goblin: Oedipus

Jonathan Church looking forward to getting to know Stratford Festival and its audiences as artistic director

Stratford Festival review: Ransacking Troy takes audiences on an odyssey with a reimagined Greek classic

Stratford Festival review: The Art of War captures an artist’s struggle to convey what war feels like 

Antoni Cimolino looks ahead to his final season as artistic director of the Stratford Festival

Blyth Festival review: Quiet in the Land offers a unique and overlooked perspective on local and national history

Blyth Festival review: Sir John A: Acts of a Gentrified Ojibway Rebellion unmasks the gentrification of Indigenous identity

Stratford Festival review: The Winter’s Tale mixes comedy and tragedy to perfection

Stratford Festival review: Macbeth on motorcycles an ambitious yet successful exercise in theatrical production

Stratford Festival review: Forgiveness a haunting portrayal of refusing to pass on generational trauma

Stratford Festival review: Sense and Sensibility a refreshed take on a literary classic with plenty of juicy gossip

Stratford Festival review: Annie wows with talented kids and a cast to back them up

Stratford Festival review: Anne of Green Gables brings the fandom on stage in hilarious production

Stratford Festival review: Dirty Rotten Scoundrels offers plenty of dirty rotten fun

Stratford Festival review: As You Like It dazzles with found fashion and a new spin on a recycled story

2024

Stratford Festival review: Director-choreographer Donna Feore does it again with Something Rotten!

Stratford Festival review: Salesman in China offers a rich exploration of culture clash and mutual understanding

Stratford Festival review: Wendy and Peter Pan offers emotional alternative to a classic

Stratford Festival review: The Goat, or Who is Sylvia? challenges an audience’s tolerance

Stratford Festival review: Get That Hope offers a familiar family story with new context

Stratford Festival review: London Assurance serves up cartoonish hilarity

Stratford Festival review: Romeo and Juliet delivers teen angst and rash decision making

Stratford Festival review: La Cage Aux Folles offers glitz and glamour underpinned by a heartfelt story about family

Stratford Festival review: ‘60s counterculture gives new context in McKenna’s Twelfth Night

Stratford Festival Review: Rarely produced Cymbeline brought to life on Tom Patterson Theatre stage

Stratford Festival review: The Diviners weaves past and present into a story about storytelling

Stratford Festival review: Hedda Gabler offers a disturbing look inside the mind of an unfulfilled woman

Category: 2025