A Critical Lens on Canadian Arts.

About Galen Simmons


2025

Here For Now Theatre Review: Jessica B. Hill is a one-woman whirlwind as she explores universal chaos in Pandora

Stratford Festival review: The goblins are back in full form, dressed in togas and waving pool noodles, for Goblin: Oedipus

Jonathan Church looking forward to getting to know Stratford Festival and its audiences as artistic director

Stratford Festival review: Ransacking Troy takes audiences on an odyssey with a reimagined Greek classic

Stratford Festival review: The Art of War captures an artist’s struggle to convey what war feels like 

Antoni Cimolino looks ahead to his final season as artistic director of the Stratford Festival

Blyth Festival review: Quiet in the Land offers a unique and overlooked perspective on local and national history

Blyth Festival review: Sir John A: Acts of a Gentrified Ojibway Rebellion unmasks the gentrification of Indigenous identity

Stratford Festival review: The Winter’s Tale mixes comedy and tragedy to perfection

Stratford Festival review: Macbeth on motorcycles an ambitious yet successful exercise in theatrical production

Stratford Festival review: Forgiveness a haunting portrayal of refusing to pass on generational trauma

Stratford Festival review: Sense and Sensibility a refreshed take on a literary classic with plenty of juicy gossip

Stratford Festival review: Annie wows with talented kids and a cast to back them up

Stratford Festival review: Anne of Green Gables brings the fandom on stage in hilarious production

Stratford Festival review: Dirty Rotten Scoundrels offers plenty of dirty rotten fun

Stratford Festival review: As You Like It dazzles with found fashion and a new spin on a recycled story

2024

Stratford Festival review: Director-choreographer Donna Feore does it again with Something Rotten!

Stratford Festival review: Salesman in China offers a rich exploration of culture clash and mutual understanding

Stratford Festival review: Wendy and Peter Pan offers emotional alternative to a classic

Stratford Festival review: The Goat, or Who is Sylvia? challenges an audience’s tolerance

Stratford Festival review: Get That Hope offers a familiar family story with new context

Stratford Festival review: London Assurance serves up cartoonish hilarity

Stratford Festival review: Romeo and Juliet delivers teen angst and rash decision making

Stratford Festival review: La Cage Aux Folles offers glitz and glamour underpinned by a heartfelt story about family

Stratford Festival review: ‘60s counterculture gives new context in McKenna’s Twelfth Night

Stratford Festival Review: Rarely produced Cymbeline brought to life on Tom Patterson Theatre stage

Stratford Festival review: The Diviners weaves past and present into a story about storytelling

Stratford Festival review: Hedda Gabler offers a disturbing look inside the mind of an unfulfilled woman

About Galen Simmons

Galen Simmons
Writer • Editor • Film Researcher

Galen Simmons is a Southern Ontario–based arts writer with over seven years of experience reviewing theatrical productions at the Stratford Festival. With a background in journalism and a deep respect for the artistic process, Galen has built a reputation for insightful, fair, and generous criticism—always striving to highlight the strengths of a production and celebrate the effort behind each performance.

Rooted in Stratford, Ontario—a city internationally known for its contributions to theatre—Galen has spent much of his career immersed in one of Canada’s richest cultural landscapes. His reviews are grounded in knowledge, empathy, and curiosity, seeking to understand what each play sets out to achieve and to honour the creative risks behind it.

In 2025, Galen was invited to begin reviewing productions at the Blyth Festival, a milestone that reflects his growing recognition as a respected voice in regional arts criticism. Through Northern Arts Perspective, he brings this voice to a broader audience, offering reflections on theatre across Southern and Southwestern Ontario.

Whether reviewing a world premiere or a Shakespearean classic, Galen approaches each production with an open mind and a belief that there is always something worth celebrating on stage. His writing invites readers to see theatre not just as entertainment, but as a living conversation—one rooted in passion, possibility, and the power of story.

Galen is currently accepting review invitations from festivals and arts organizations for the upcoming season. He is also available for book-editing projects. For professional inquiries, please contact him at GalenSimmons19@gmail.com.